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Online Gallery鳥花金裝傳說 – 深沢尚宏｜“Golden Whispers” by Hisahiro Fukasawa

蓮花(藍) / 夏

鳥花金裝傳說系列作品

我繪畫著繁花鳥語交織的生動故事。我的作品中的鳥常常戴著綻放的花朵,像是花冠般,它們的身體被複雜的圖案裝飾著,彷彿在慶祝自身的美麗。每一隻鳥都像是一位說書人,邀請觀者進入一個充滿安靜優雅和生動想像的世界。我的風格植根於古典日本繪畫的傳統,同時也受到我在設計領域的背景影響。這種融合產生了既傳統又輕鬆愉快的花鳥作品,充滿鮮艷色彩和跳躍的構圖,猶如在畫面上跳躍起舞。日本長久以來一直擁抱中國文化,將其轉化為獨具特色的文化。同樣地,我學習的平面設計植根於西方美學,特別是德國的包浩斯運動。我的藝術品源於這種自然的東西方、過去和現在的疊加,呈現出一幅文化和諧的織錦。

數年前,隨著互聯網開始將世界聯繫得更緊密,我遇到了一句話,它一直留在我心中:”世界正在變得灰暗,就像混合的顏料融合成單一色調。”這句話指的是全球城市、服飾和美食越來越趨同。但我相信融合不必意味著只是沉悶,它可以意味著平衡或者是可以意味著美麗。

沒有比香港更適合探索這個想法的地方了——這座城市東西方共存,形成令人驚艷的對比和和諧,殖民地的優雅與當代的活力相遇。我在香港多元文化的萬花筒和其令人眼花繚亂的精神中找到了極大的靈感。通過這次展覽,我希望觀眾能重新發現多樣性的喜悅——在那裡,鳥兒和花朵閃耀金光,文化融合成為一種慶祝,而不是一種妥協。

關於藝術家

深沢尚宏

我在二十多歲時學習平面設計,並實際擔任設計師。這是我進入各種藝術形式的起點,其中我受到了十三世紀初期和十八世紀末的古典日本繪畫的強烈影響,開始繪畫。我仍然清楚地記得被它們的空間構圖和繁華的花鳥畫世界所著迷。我想更新花鳥畫的世界,創造一個新的日本世界。

近年來,我在香港的Gallery by the Harbour與Snoopy和Hello Kitty合作。我的作品剛被捷克共和國的穆夏基金會收藏,該基金會管理阿方斯·穆夏 Alphonse Mucha的作品。

1976年出生於日本長野縣長野市

1999年畢業於大阪藝術大學

2001年畢業於桑沢設計學院

目前居住在日本神奈川縣

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Golden Whispers Series

I paint vivid stories woven with blooming flowers and singing birds. In my works, birds often wear blossoming flowers like crowns, their bodies adorned with intricate patterns, as if celebrating their own beauty. Each bird is like a storyteller, inviting viewers into a world filled with quiet elegance and vibrant imagination. My style is rooted in the tradition of classical Japanese painting, while also influenced by my background in design. This fusion produces kachō-e (bird-and-flower paintings) that are both traditional and lighthearted, filled with vibrant colors and dynamic compositions that seem to dance across the canvas. Japan has long embraced Chinese culture, transforming it into something uniquely its own. Similarly, the graphic design I studied is rooted in Western aesthetics, particularly Germany’s Bauhaus movement. My artwork emerges from this natural layering of East and West, past and present, presenting a tapestry of cultural harmony.

Years ago, as the internet began connecting the world more closely, I encountered a phrase that has stayed with me: “The world is becoming gray, like mixed paints blending into a single tone.” This referred to how global cities, fashion, and cuisine are increasingly becoming homogenized. But I believe that fusion doesn’t have to mean dullness—it can mean balance, or it can mean beauty.

There is no better place than Hong Kong to explore this idea—a city where East and West coexist, creating stunning contrasts and harmony, where colonial elegance meets contemporary vitality. I find tremendous inspiration in Hong Kong’s multicultural kaleidoscope and its dazzling spirit. Through this exhibition, I hope viewers can rediscover the joy of diversity—where birds and flowers shine in gold, and cultural fusion becomes a celebration rather than a compromise.

About the Artist

Hisahiro Fukasawa

I studied graphic design in my twenties and worked as a designer. This was my entry point into various art forms, where I was strongly influenced by classical Japanese paintings from the early 13th century and late 18th century, and began painting. I still vividly remember being captivated by their spatial compositions and the flourishing world of kachō-ga (bird-and-flower paintings). I want to renew the world of kachō-ga and create a new Japanese aesthetic.

In recent years, I have collaborated with Snoopy and Hello Kitty at Gallery by the Harbour in Hong Kong. My work has just been acquired by the Mucha Foundation in the Czech Republic, which manages the works of Alphonse Mucha.

Born in Nagano City, Nagano Prefecture, Japan in 1976

Graduated from Osaka University of Arts in 1999

Graduated from Kuwasawa Design School in 2001

Currently resides in Kanagawa Prefecture, Japan

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